Deconstruction is no game of mirrors, revealing the text as a play
of surface against surface. Its more radical philosophical effort
is to get behind the mirror and question the very nature of
reflection. The Tain of the Mirror (tain names the tinfoil, or
lusterless back of the mirror) explores that gritty surface without
which no reflection would be possible. Rodolphe Gasche does what no
one has done before in many discussions of Derrida, namely to tie
his work in an authoritative way to its origins in the history of
the criticism of reflexivity.
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