This book is about the resonance and implications of the idea of
'eternal recurrence', as expounded notably by Nietzsche, in
relation to a range of nineteenth-century literature. It opens up
the issue of repetition and cyclical time as a key feature of both
poetic and prose texts in the Victorian/Edwardian period. The
emphasis is upon the resonance of landscape as a vehicle of
meaning, and upon the philosophical and aesthetic implications of
the doctrine of 'recurrence' for the authors whose work is examined
here, ranging from Tennyson and Hallam to Swinburne and Hardy. The
book offers radically new light on a range of central
nineteenth-century texts.
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