"Post-Petrarchism" offers a theoretical study of lyric poetry
through one of its most long-lived and widely practiced models: the
lyric sequence, originated by Francis Petrarch in his Canzoniere of
the late fourteenth century. A framework in which poems are
suspended according to some organizing or unifying principle, the
lyric sequence emerges from European humanist culture as a poetic
discourse that represents personal experience and operates as a
kind of fiction. Here Roland Greene proposes that since Petrarch
the lyric sequence has survived in European and American
literatures--from Shakespeare's Sonnets to The Waste Land to
Trilce--as a complex in which formal, generic, and cultural designs
intersect, and as an embodiment of lyric discourse at its most
extensive, inclusive, and ambitious. Enabled by a theoretical
introduction to the genre at large, the book treats the founding
and elaboration of the vernacular sequence in six major texts by
Petrarch, Philip Sidney, Edward Taylor, Walt Whitman, W. B. Yeats,
Pablo Neruda, and Martin Adan. Throughout Greene shows how
Petrarchism has evolved as lyric discourse through its exposure to
such events as the Reformation and Puritanism, the settlement of
the New World, and the various modernisms of Europe and the
Americas.
Originally published in 1991.
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