'There's your first problem. No Civil War movie ever made a dime.
Or ever will.' Hollywood, 1939: semi-independent mogul David
O.Selznick has just shut down production on the most eagerly
anticipated movie in history - his megabudget version of Margaret
Mitchell's bestselling novel Gone with the Wind - scrapping the
original script and sacking the director in the process. Determined
to produce a rewrite in five days, he engages the reluctant
services of ace script doctor Ben Hecht - possibly the only person
in America who has not read the novel - and the movie's new
director Victor Fleming, poached straight from the set of The
Wizard of Oz . His reputation on the line, and with nothing but a
stockpile of peanuts and bananas to sustain them, Selznick locks
himself in his office with his two collaborators, and a marathon
creative session begins...
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