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Fictions of Presence - Theatre and Novel in Eighteenth-Century Britain (Hardcover)
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Fictions of Presence - Theatre and Novel in Eighteenth-Century Britain (Hardcover)
Series: Studies in the Eighteenth Century
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An absorbing study of the contested embodiment of the idea of
"presence" in the plays and novels of the eighteenth century. In
the years following the 1737 Licensing Act, the English stage found
itself for the first time facing serious competition from the novel
- newly respectable and increasingly fashionable. But the story is
not one of theatre's decline and the novel's rise. As Ros Ballaster
shows in this lively and innovative study, the relationship between
the two media was one of an intensely creative and productive
rivalry. Novelists sent their heroes to the theatre, dramatists
appropriated the plots of popular novels, the celebrity status of
actors was advanced through guest appearances in printed prose
fictions. Some figures, like Richardson's virtuous serving maid
Pamela, or Sterne's eccentrichumourist Tristram Shandy, acquired
such independent lives in the minds of the public that they
migrated into the mainstream of popular culture. Fictions of
Presence describes how major authors of the period - Eliza Haywood,
Henry Fielding, Charlotte Lennox and Oliver Goldsmith - spanned
both genres. It charts the movement of popular fictional characters
between stage and page. And it looks at the representation of
contemporary audiences and readers in the new types of the (female)
mimic and the (male) critic. Crucially, Ballaster delineates the
ground over which the two media competed: the ability to create
'presence' - a sense of being present with the moment of action, of
finding 'being' in fictional worlds - in the mind's eye of readers
and theatregoers. In so doing, she not only illuminates the shared
history of the theatre and the novel, but describes the power of
aesthetic experience itself.
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