The tender roots of Modern Art can be seen in the wild sea
paintings of Turner, as early as the mid 19th Century, but it took
the Impressionists and the Pre-Raphaelites to break the elite
classical mode, until the final blows were dealt in the early 1900s
by Kandinsky, Klee and Picasso. Modern Art was a reaction to the
gathering pace of industrialisation of the late Victorian world,
and the desire for art that looked forwards not behind to classical
myth and legend. But once the beast of modernism had been unleashed
it fragmented into many different forms, each of which are explored
in this striking, heavily illustrated new book.
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