Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800
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Violence and the Genesis of the Anatomical Image (Hardcover)
Loot Price: R2,567
Discovery Miles 25 670
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Violence and the Genesis of the Anatomical Image (Hardcover)
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Nothing excited early modern anatomists more than touching a
beating heart. In his 1543 treatise, Andreas Vesalius boasts that
he was able to feel life itself through the membranes of a heart
belonging to a man who had just been executed, a comment that
appears near the woodcut of a person being dissected while still
hanging from the gallows. In this highly original book, Rose Marie
San Juan confronts the question of violence in the making of the
early modern anatomical image. Engaging the ways in which power
operated in early modern anatomical images in Europe and, to a
lesser extent, its colonies, San Juan examines literal violence
upon bodies in a range of civic, religious, pedagogical, and
“exploratory” contexts. She then works through the question of
how bodies were thought to be constituted—systemic or piecemeal,
singular or collective—and how gender determines this question of
constitution. In confronting the issue of violence in the making of
the anatomical image, San Juan explores not only how violence
transformed the body into a powerful and troubling double but also
how this kind of body permeated attempts to produce knowledge about
the world at large. Provocative and challenging, this book will be
of significant interest to scholars across fields in early modern
studies, including art history and visual culture, science, and
medicine.
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