The reputation of Webster and Ford is based on a handful of
tragedies which display extreme situations and emotional intensity.
Productions since 1945 have helped to vindicate the enthusiastic
judgement of 19th-century Romantic critics and demonstrated that
these plays retain their capacity to disturb audiences, arousing
strong responses of both horror and pity. The author outlines the
careers of both dramatists and illuminates the Jacobean and
Caroline theatre contexts. It includes a detailed analysis of six
plays, emphasizing their emotional power and theatrical
effectiveness, and makes frequent references to modern
performances. The plays considered include "The White Devil", "The
Duchess of Malfi" and "'Tis Pity She's a Whore".
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