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The Complexion of Race - Categories of Difference in Eighteenth-Century British Culture (Paperback)
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The Complexion of Race - Categories of Difference in Eighteenth-Century British Culture (Paperback)
Series: New Cultural Studies
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The Complexion of Race Categories of Difference in
Eighteenth-Century British Culture Roxann Wheeler "A substantial
contribution to the investigation of the concept of 'race' as a
determinant of identity in the eighteenth century. Wheeler
convincingly demonstrates that the contemporary inclination to
frame questions of personal and social identity in terms of a
binary opposition of white and black has been anachronistically
applied to the eighteenth century, when 'multiplicity'--the use of
overlapping or even competing categories--was common
practice."--Vincent Carretta, University of Maryland "Wheeler's
book charts the emergence of skin color as the distinguishing
feature of 'race' in Britain and the British empire. She identifies
the 1770s as the time when the old distinction between heathen and
Christian gave way to the new dominant distinction between black
and white. Although she touches on what might now be seen as
anthropological sources, her concentration is on historical
narratives, travelogue, and fiction, and on the comparison of these
latter sources to the anthropology or natural history of the time
and, at times, to the politics of abolition and
emancipation."--"Eighteenth-Century Life" ""The Complexion of Race"
marks a decisive break with literary history's binary version of
eighteenth-century British radical thought."--"Journal of Social
History" In the 1723 "Journal of a Voyage up the Gambia," an
English narrator describes the native translators vital to the
expedition's success as being "Black as Coal." Such a description
of dark skin color was not unusual for eighteenth-century
Britons--but neither was the statement that followed: "here, thro'
Custom, (being Christians) they account themselves White Men." "The
Complexion of Race" asks how such categories would have been
possible, when and how such statements came to seem illogical, and
how our understanding of the eighteenth century has been distorted
by the imposition of nineteenth and twentieth century notions of
race on an earlier period. Wheeler traces the emergence of skin
color as a predominant marker of identity in British thought and
juxtaposes the Enlightenment's scientific speculation on the
biology of race with accounts in travel literature, fiction, and
other documents that remain grounded in different models of human
variety. As a consequence of a burgeoning empire in the second half
of the eighteenth century, English writers were increasingly
preoccupied with differentiating the British nation from its
imperial outposts by naming traits that set off the rulers from the
ruled; although race was one of these traits, it was by no means
the distinguishing one. In the fiction of the time, non-European
characters could still be "redeemed" by baptism or conversion and
the British nation could embrace its mixed-race progeny. In
Wheeler's eighteenth century we see the coexistence of two systems
of racialization and to detect a moment when an older order, based
on the division between Christian and heathen, gives way to a new
one based on the assertion of difference between black and white.
Roxann Wheeler teaches English at Ohio State University. New
Cultural Studies 2000 384 pages 6 1/8 x 9 1/4 ISBN
978-0-8122-3541-8 Cloth $69.95s 45.50 ISBN 978-0-8122-1722-3 Paper
$32.50s 21.50 World Rights Cultural Studies, History, Anthropology
Short copy: ""The Complexion of Race" marks a decisive break with
literary history's binary version of eighteenth-century British
radical thought."--"Journal of Social History"
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