This open access book examines how auditory environments in
different contexts have contributed to understanding foreign
occupation and colonialism, and how they have given rise to
historical music cultures. How are sound and music implicated in
the control and discipline of people under occupation? Exploring
case studies of foreign occupation and colonialism from around the
world, Sonic Histories of Occupation seeks to answer these
questions and more. Examining how an emphasis on auditory culture
adds complexity and nuance to understanding the relationship
between occupation and the bodily senses, this book is structured
around three conceptual themes: voice and occupation; memory, sound
and occupation; and auditory responses to occupation and
colonialism. Highlighting case studies in Asia, North Africa, North
America and Europe, contributors employ a range of theoretical
approaches to examine histories of imperialism and foreign
occupation, and the auditory legacies they created, and contribute
to a wider dialogue about the relationship between sound and
imperial projects across political and temporal boundaries. The
open access edition of this book is available under a CC-BY-NC-ND
4.0 license on www.bloomsburycollections.com. Open access was
funded by the European Research Council (Horizon 2020, Grant Number
682081).
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