Ruth Ben-Ghiat provides the first in-depth study of feature and
documentary films produced under the auspices of Mussolini s
government that took as their subjects or settings Italy s African
and Balkan colonies. These "empire films" were Italy's entry into
an international market for the exotic. The films engaged its most
experienced and cosmopolitan directors (Augusto Genina, Mario
Camerini) as well as new filmmakers (Roberto Rossellini) who would
make their marks in the postwar years. Ben-Ghiat sees these films
as the start of the aesthetic revolution that would lead to
neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies
reinforced Fascist racial and labor policies and were largely
forgotten after the war. Ben-Ghiat restores them to Italian and
international film history in this gripping account of empire, war,
and the cinema of dictatorship."
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