Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Supernatural Fiction in Early Modern Drama and Culture (Paperback)
Loot Price: R1,453
Discovery Miles 14 530
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Supernatural Fiction in Early Modern Drama and Culture (Paperback)
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Brings together authors of fiction with philosophers and academics
in Early Modern England and compares their ways of describing and
understanding the world; Explores popular culture as well as the
culture of the learned and elite; Examines the intellectual
consequences of the Reformation and compares the spiritual and
doctrinal practices of the occult to those of orthodoxy. Magic and
the supernatural are common themes in the philosophy and fiction of
the sixteenth and seventeenth centuries. Supernatural Fiction in
Early Modern Drama and Culture explores varieties of scepticism and
belief exhibited by a selection of philosophers and playwrights,
including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee,
Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas
Middleton, explicating how each author defines the supernatural,
whether he assumes magic to operate in the world, and how he uses
occult principles to explain what can be known and what is ethical.
Beliefs and claims concerning impossible phenomena and superhuman
agency require literary historians to determine whether an occult
system of magical operation is being described in a given text.
Each chapter in this volume evaluates whether a chosen early modern
author is endorsing magic as efficacious or divinely sanctioned, or
criticizing it for being fraudulent or unholy. By examining works
of fiction, it is possible to explore fantastic settings which were
not intended to be synonymous with the early modern audiences
everyday experience, settings where magic exists and operates
according to the playwrights designs. This book also sets out to
determine what historical sources provided given authors with
knowledge of the occult and speculates on how aware an audience
would have been of academic, classical, or popular contexts
surrounding the text at hand.
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