"Cinema After Fascism "considers how postwar European films
glance ambivalently backward from the postwar period to the fascist
era and delves into issues of gender certainties and spectatorship.
In this period of film, familiar structures of epistemology and
historiography reappear as ghostly imprints on postwar celluloid,
and the remnants of fascist subjectivity walk the streets of
postwar cities. Through new perspectives on the films of Roberto
Rossellini, Billy Wilder, Carol Reed, Alain Resnais, and Marguerite
Duras, this book examines the ways in which filmmakers acknowledge
the fascist past. Siobhan S. Craig reveals that the attempts to
reconfigure the idioms of cinema are never fully naturalized and
remain highly precarious constructions.
General
Imprint: |
Palgrave Macmillan
|
Country of origin: |
United Kingdom |
Series: |
Studies in European Culture and History |
Release date: |
July 2010 |
First published: |
June 2010 |
Authors: |
S Craig
|
Dimensions: |
216 x 140 x 16mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
199 |
Edition: |
New |
ISBN-13: |
978-0-230-10384-9 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
Promotions
|
LSN: |
0-230-10384-7 |
Barcode: |
9780230103849 |
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