This study focuses on various scenes of calligraphy, practices and
conceptualizations of lines, and questions of book aesthetics in
Henri Michaux's pictorial, literary oeuvre. The theoretical horizon
is provided by current approaches to knowledge of the body and
motion, kinesthesia, habitus, body-memory, et al. in anthropology
and the social sciences. In the twofold break with traditional
functions of the graphic line and the notation function of text,
the emphasis here is on writing as a body technique and performance
as well as improvised graphic records. An art of the motoric is
nevertheless encountered in the form of books and generally
combined with texts. Problems of approaching "Western" and Chinese
(text) art are also discussed from a praxeological perspective.
General
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