Kurihara Sadako was born in Hiroshima in 1913, and she was there on
August 6, 1945. Already a poet before she experienced the atomic
bombing of Hiroshima, she used her poetic talents to describe the
blast and its aftermath. In 1946, despite the censorship of the
American Occupation, she published Kuroi tamago (Black Eggs), poems
from before, during, and immediately after the war. This volume
includes a translation of Kuroi tamago from the complete edition of
1983. But August 6, 1945, was not the end point of Kurihara's
journey. In the years after Kuroi tamago she has broadened her
focus—to Japan as a victimizer rather than victim, to the threat
of nuclear war, to antiwar movements around the world, and to
inhumanity in its many guises. She treats events in Japan such as
politics in Hiroshima, Tokyo's long-term complicity in American
policies, and the decision in 1992 to send Japanese troops on U.N.
peacekeeping operations. But she also deals with the Vietnam War,
Three Mile Island, Kwangju, Greenham Common, and Tiananmen Square.
This volume includes a large selection of these later poems.
Kurihara sets us all at ground zero, strips us down to our basic
humanity, and shows us the world both as it is and as it could be.
Her poems are by turns sorrowful and sarcastic, tender and tough.
Several of them are famous in Japan today, but even there, few
people appreciate the full force and range of her poetry. And few
poets in any country—indeed, few artists of any kind—have
displayed comparable dedication, consistency, and insight.
General
Imprint: |
The University of Michigan Press
|
Country of origin: |
United States |
Series: |
Michigan Monograph Series in Japanese Studies |
Release date: |
2021 |
Authors: |
Sadako Kurihara
• Richard Minear
|
Dimensions: |
229 x 152mm (L x W) |
Format: |
Paperback
|
Pages: |
350 |
ISBN-13: |
978-0-472-03816-9 |
Categories: |
Books >
Social sciences >
General
|
LSN: |
0-472-03816-8 |
Barcode: |
9780472038169 |
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