The architecture of the Islamic world is predominantly considered
in terms of a dual division between 'tradition' and 'modernity' - a
division which, Saeid Khaghani here argues, has shaped and limited
the narrative applied to this architecture. Khaghani introduces and
reconsiders the mosques of eighth- to fifteenth-century Iran in
terms of poststructural theory and developments in historiography
in order to develop a brand new dialectical framework. Using the
examples of mosques such as the Friday Mosques in Isfahan and Yazd
as well as the Imam mosque in Isfahan, Khaghani presents a new way
of thinking about and discussing Islamic architecture, making this
valuable reading for all interested in the study of the art,
architecture and material culture of the Islamic world.
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