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Re-Reading The Excursion - Narrative, Response and the Wordsworthian Dramatic Voice (Hardcover, New Ed)
Loot Price: R3,893
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Re-Reading The Excursion - Narrative, Response and the Wordsworthian Dramatic Voice (Hardcover, New Ed)
Series: The Nineteenth Century Series
Expected to ship within 12 - 17 working days
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Re-Reading The Excursion: Narrative, Response and the Wordsworthian
Dramatic Voice is a groundbreaking study, which transforms
contemporary critical understanding of The Excursion and of the
place of this long poem in the Wordsworthian canon. Sally Bushell
argues that the poem, which has suffered at the hands of critics
for most of the twentieth century, has been unfairly judged
according to a Coleridgean rather than a Wordsworthian definition
of "philosophy"-that it has been read as a didactic work, rather
than one which uses its dramatic form to teach its readers to think
for themselves. She offers a new reading in which The Excursion is
shown to be about providing the readers with moral habits and
mental constructs by which to learn, not simply telling them what
to think. The book begins with a discussion of the reception of the
poem in 1814, considering the responses of Coleridge, Hazlitt,
Francis Jeffrey and Charles Lamb. This historicized discussion is
then balanced by a reading of the poem at the compositional stage,
looking at the emergence from the manuscripts of a Wordsworthian
dramatic voice. The author goes on to argue that the poem's
philosophy is performative-that is, concerned with the way in which
moral ideas can best be communicated, as much as with the ideas
themselves. She then shifts her attention to consider how this
operates in relation to the reader, considering the importance of
context in relation to emotional response. Later, the epitaphic
books are reconsidered in the light of Wordworth's critical
writing; Bushell argues that the significance of the epitaph for
him lies in its values as a poetic form in which the text itself is
released from poetic authority. Finally, the author looks back at
The Prelude from the perspective of The Excursion and shows how the
later poem attempts to value the ordinary, rather than the poetic,
mind. The conclusion reached is that Wordsworth is not just the
"egotistical" poet of The Prelude, interested largely in the
development of his own imaginative powers, but one who goes on to
explore the limits of subjectivity and the importance of different
kinds of imaginative links between individuals.
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