In the "Heroides, " the Roman poet Ovid wittily plucks fifteen
abandoned heroines from ancient myth and literature and creates the
fiction that each woman writes a letter to the hero who left her
behind. But in giving voice to these heroines, is Ovid writing like
a woman, or writing "Woman" like a man?
Using feminist and psychoanalytic approaches to examine the
"female voice" in the "Heroides," Sara H. Lindheim closely reads
these fictive letters in which the women seemingly tell their own
stories. She points out that in Ovid's verse epistles all the women
represent themselves in a strikingly similar and disjointed
fashion. Lindheim turns to Lacanian theory of desire to explain
these curious and hauntingly repetitive representations of the
heroines in the "female voice." Lindheim's approach illuminates
what these poems reveal about both masculine and feminine
constructions of the feminine
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