Shakespeare lived at a time when England was undergoing the
revolution in ritual theory and practice we know as the English
Reformation. With it came an unprecedented transformation in the
language of religious life. Whereas priests had once acted as
mediators between God and men through sacramental rites, Reformed
theology declared the priesthood of all believers. What ensued was
not the tidy replacement of one doctrine by another but a long and
messy conversation about the conventions of religious life and
practice. In this brilliant and strikingly original book, Sarah
Beckwith traces the fortunes of this conversation in Shakespeare's
theater.
Beckwith focuses on the sacrament of penance, which in the
Middle Ages stood as the very basis of Christian community and
human relations. With the elimination of this sacrament, the words
of penance and repentance "confess," "forgive," "absolve" no longer
meant (no longer could mean) what they once did. In tracing the
changing speech patterns of confession and absolution, both in
Shakespeare's work and Elizabethan and Jacobean culture more
broadly, Beckwith reveals Shakespeare's profound understanding of
the importance of language as the fragile basis of our relations
with others. In particular, she shows that the post-tragic plays,
especially Pericles, Cymbeline, The Winter s Tale, and The Tempest,
are explorations of the new regimes and communities of forgiveness.
Drawing on the work of J. L. Austin, Ludwig Wittgenstein, and
Stanley Cavell, Beckwith enables us to see these plays in an
entirely new light, skillfully guiding us through some of the
deepest questions that Shakespeare poses to his audiences."
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