Let us tell you a strange tale that did unfold someplace in the
glum north o'the warld, where there lived a Man who could not stop
eating, a Woman doomed to cook his meals and one 'inveesible
child'. Told in a rich and saucy Scots dialect with physical verve,
a wee dram of whisky to oil the way and a musical score that rolls
in like mist over the hills, The Red Chair sees acclaimed Scottish
performer Sarah Cameron steer us through a landscape of twisted
reason, extreme compulsion and eye-watering complacency, where
domestic drudgery happens on an operatic scale and a father's
dereliction of duty reaches epic proportions. The Red Chair is
based on Sarah's original book that had its first public reading as
part of The House of Fairytales at the Port Eliot Festival. It lies
somewhere between a Grimm's Tale, an absurdist ghost story and a
parent's guide on how not to bring up children.
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