During the July Monarchy, French grand operas, with their plots
drawn from historical events, tended to be received as metaphors
for current political themes. Previous studies have usually
underestimated the role of music and the visual dimensions in
articulating an alternative message to that offered by the
libretto, and have instead focused on single political
interpretations. In this study, five operas - Auber's La Muette de
Portici and Gustave III, Niedermeyer's Stradella, Halevy's Charles
VI and Meyerbeer's Le Prophete - illustrate the complex, contested
nature of political meaning during this period. By setting these
operas in the context of the emerging liberal historiography
pioneered by Jules Michelet, and analysing the manner in which
audiences and critics constructed 'meanings' with reference to
their personal and collective experience and memories, this study
reveals the central position that grand opera occupied in the
period, bringing the past alive.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
February 2011 |
First published: |
2009 |
Authors: |
Sarah Hibberd
(Dr)
|
Dimensions: |
244 x 171 x 18mm (L x W x T) |
Format: |
Book
|
Pages: |
294 |
ISBN-13: |
978-0-521-18426-7 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Opera
|
LSN: |
0-521-18426-6 |
Barcode: |
9780521184267 |
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