This critical and inclusive edited collection offers an overview of
the musical in relation to issues of race, culture and identity.
Bringing together contributions from cultural, American and theatre
studies for the first time, the chapters offer fresh perspectives
on musical theatre history, calling for a radical and inclusive new
approach. By questioning ideas about what the musical is about and
who it for, this groundbreaking book retells the story of the
musical, prioritising previously neglected voices to reshape our
understanding of the form. Timely and engaging, this is required
reading for undergraduate and postgraduate students of musical
theatre. It offers an intersectional approach which will also be
invaluable for theatre practitioners.
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