"'Black Narcissus", now heralded as a masterpiece, is a landmark
film in the influential canon of Michael Powell and Emeric
Pressburger. With the centenary of Powell's birth in 2005 this
timely book - the first dedicated exclusively to the film - draws
on archival documents, original set drawings and stills to
demonstrate its remarkable achievements, both as a production and
as a vehicle for ideas. Looking at the film's enduring images of
both place and gender, Sarah Street also examines "Black Narcissus"
as a masterly technical accomplishment - with cinematographer Jack
Cardiff's experiments in Technicolor just one of its many advances
- as well as a meditation on the end of empire. Looking too at the
film's controversial reception by international critics and
censors, and its subsequent impact on experimental filmmakers,
Street explores issues of technique, style, performance and
interpretation to reveal the continued relevance of "Black
Narcissus" today.
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