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Conscience and the Composition of Piers Plowman (Hardcover)
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Conscience and the Composition of Piers Plowman (Hardcover)
Series: Oxford English Monographs
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Conscience and the Composition of Piers Plowman provides a detailed
account of one of the central personified figures in William
Langland's Piers Plowman. Previous critical accounts of Conscience
either focus on discussions of the faculty conscience in scholastic
discourse, or eschew personification allegory as a useful category
in order to argue for the figure's development or education as a
character during the poem. But Conscience only appears to develop
as he is re-presented, in the course of Piers Plowman, within a
series of different literary modes. And he changes not only during
the composition of the various episodes in different modes that
make up the single version, but also during the composition of the
poem as a series of three different versions. The versions of Piers
Plowman form, this book argues, a single continuous narrative or
argument, in which revisions to Conscience's role in one version
are predicated upon his cumulative 'experiences' in the earlier
versions. Drawing on a variety of materials in both Middle English
and Latin, Sarah Wood illustrates the wide range of contemporary
discourses Langland employed as he composed Conscience in the three
versions of the poem. By showing how Langland transformed
Conscience as he composed the A, B and C texts, Conscience and the
Composition of Piers Plowman offers a new approach to reading the
serial versions of the poem. While the versions of Piers Plowman
have customarily been presented and read in parallel-text formats,
Wood shows that Langland's revisions are newly comprehensible if
the three versions are read in sequence.
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