At the time of his death in 1806, the Rococo artist Jean-Honore
Fragonard had not painted for two decades. Following a period of
huge public success, the painter's reputation fell. Personally
secretive, Fragonard created revealing images that undermined a
normal sense of space and time. Satish Padiyar investigates the
life and work of the last of the libertine painters of the ancien
regime, a contemporary of Denis Diderot and Jean-Jacques Rousseau,
and presents dramatic new perspectives on works such as The
Progress of Love, painted for Madame du Barry, the infamous The
Bolt and the ever-popular The Swing.
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