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Aesthetics of Fraudulence in Nineteenth-Century France - Frauds, Hoaxes, and Counterfeits (Hardcover, New Ed)
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Aesthetics of Fraudulence in Nineteenth-Century France - Frauds, Hoaxes, and Counterfeits (Hardcover, New Ed)
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In his engagingly written and original book, Scott Carpenter
analyzes multiple manifestations of the false in nineteenth-century
France. Under Carpenter's thorough and systematic analysis,
fraudulence emerges as a cultural preoccupation in
nineteenth-century literature and society, whether it be in the
form of literary mystifications, the thematic portrayal of frauds,
or the privileging of falseness as an aesthetic principle. Focusing
particularly on the aesthetics of fraudulence in works by Merimee,
Balzac, Baudelaire, Vidocq, Sand, and others, Carpenter places
these literary representations within the context of other cultural
phenomena, such as caricature, political history, and ceremonial
events. As he highlights the special relationship between literary
fiction and fraudulence, Carpenter argues that falseness arises as
an aesthetic preoccupation in post-revolutionary France, where it
introduces a blurring of limits between hitherto discrete
categories. This transgression of boundaries challenges notions of
authenticity and sincerity, categories that Romantic aesthetics
championed at the beginning of the nineteenth century in France.
Carpenter's study makes an important contribution to the cultural
significance of mystification in nineteenth-century France and
furthers our understanding of French literature and cultural
history.
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