Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Voices from Beyond - Physiology, Sentience, and the Uncanny in Eighteenth-Century French Literature (Hardcover)
Loot Price: R2,425
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Voices from Beyond - Physiology, Sentience, and the Uncanny in Eighteenth-Century French Literature (Hardcover)
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There was much uncertainty about how voice related to body in the
early eighteenth century, and this became a major subject of
scientific and cultural interest. In Voices from Beyond, Scott
Sanders provides an interdisciplinary and transnational study of
eighteenth-century conceptions of the human voice. His book
examines the diversity of thought about vocal materiality and its
roles in philosophical and literary works from the period,
uncovering representations of the voice that intertwine physiology
with physics, music with moral philosophy, and literary description
with performance. Voices from Beyond focuses on the voice as it was
constructed in French works, influenced by French vocal sciences as
well as British literary and philosophical texts. It considers the
writing of Jean-Jacques Rousseau, Denis Diderot, Francois Baculard
d'Arnaud, and Jacques Cazotte in particular, and explores how their
texts theorize, represent, and construct three interrelated vocal
types: the sentimental, the vitalist, and the uncanny. These
authors represented the human voice as an intersectional organ with
implications for one's emotional disposition, physical health,
cultural identity, gender, and sexuality. Sanders argues that while
the conception of sentimental and vitalist voices was anchored to a
physiological understanding of vocal organs, this paradoxically led
to the development of a disembodied, uncanny voice-one that could
imitate the sounds of a good moral fiber while masking a monstrous
physiology.
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