The first book to address the vast diversity of Northern
circumpolar cinemas from a transnational perspective, Films on Ice
presents the region as one of great and previously overlooked
cinematic diversity. With chapters on polar explorer films, silent
cinema, documentaries, ethnographic and indigenous film, gender and
ecology, as well as Hollywood and the USSR's uses and abuses of the
Arctic, this book provides a groundbreaking account of Arctic
cinemas from 1898 to the present and radically alters stereotypical
views of the Arctic region.
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