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Staging Shakespeare's Violence: My Cue to Fight (Hardcover)
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Staging Shakespeare's Violence: My Cue to Fight (Hardcover)
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My Cue to Fight is the first book of its kind to provide an
in-depth examination of how the greatest playwright in the English
language employed not only psychological brutality but also
physical violence throughout his works. Written ideally for
theatrical stage directors, fight directors, intimacy consultants,
and actors as a technical scene-by-scene breakdown in staging
combat during production of these plays, this publication is also
for Shakespeare enthusiasts who want to learn more about the blood,
sweat, and viscera hidden just underneath the poetry. A writer
utilises violence, like song or dance, in moments where the story
requires more than just words. But addressing how the violence will
be staged tends either to be neglected or utterly gratuitous, both
of which serve to separate the audience from the story and kill the
whole venture. The answer rests in approaching violence the same
way we do scenework. The plays of William Shakespeare seek to
engage audiences with all of the characters' blood, tears, sweat,
and guts. These works are not flowery poems meant to be mumbled in
a classroom, or histrionically declaimed in frilly costumes. There
is nothing light and fluffy about 'rape' and 'murder's rages', or
'carving' someone as a dish fit for the gods, or fighting till from
one's bones one's 'flesh be hacked'. Making matters more
complicated is the ambiguity and sometimes even complete lack of
stage directions. Modern texts typically possess clear directions
whenever violence is to occur in the action, but playscripts were
quite different four centuries ago. Such denotations were both rare
and inconsistent in Elizabethan and Jacobean printings. The
potential violence we will examine is not appropriate for all
productions or scene partners. We're here to question and inspire
rather than provide catch-all solutions. Actors, directors, fight
directors, and intimacy consultants must work together to find the
most effective way for their production to communicate the
playwright's story to the audience.
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