Since the 1800s, many European Americans have relied on Native
Americans as models for their own national, racial, and gender
identities. Displays of this impulse include world's fairs,
fraternal organizations, and films such as Dances with Wolves.
Shari M. Huhndorf uses cultural artifacts such as these to examine
the phenomenon of "going native", showing its complex relations to
social crises in the broader American society -- including those
posed by the rise of industrial capitalism, the completion of the
military conquest of Native America, and feminist and civil rights
activism.
Huhndorf looks at several modern cultural manifestations of the
desire of European Americans to emulate Native Americans. Some are
quite pervasive, as is clear from the continuing, if controversial,
existence of fraternal organizations for young and old that rely
upon "Indian" costumes and rituals. Another fascinating example is
the process by which Arctic travelers "went Eskimo", as Huhndorf
describes in her readings of Robert Flaherty's travel narrative My
Eskimo Friends and his documentary film Nanook of the North.
Huhndorf asserts that European Americans' appropriation of Native
identities is not a thing of the past, and she takes a skeptical
look at the "tribes" beloved of New Age devotees.
Going Native shows how even seemingly harmless images of Native
Americans can articulate and reinforce a range of power relations
including slavery, patriarchy, and the continued oppression of
Native Americans. Huhndorf reconsiders the cultural importance and
political implications of the history of the impersonation of
Indian identity in light of continuing debates over race, gender,
and colonialism in Americanculture.
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