Why do women choreographers chose to create the dances they do in
the manner they do? How do women in dance work independently and
organizationally? How do women set up institutions? How has higher
education helped or hindered women in the world of dance? These are
the questions this work seeks to address. In dealing with some of
the tensions, joys, frustrations and fears women experience at
various points of their creative lives, the contributors strike a
balance between a theoretical sense of feminism and its practice in
reality. This book aims to present answers to questions about
women, power and action.
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