In the twenty-first century, values of competition underpin the
free-market economy and aspirations of individual achievement shape
the broader social world. Consequently, ideas of winning and
losing, success and failure, judgment and worth, influence the
dance that we see and do. Across stage, studio, street, and screen,
economies of competition impact bodily aesthetics, choreographic
strategies, and danced meanings. In formalized competitions,
dancers are judged according to industry standards to accumulate
social capital and financial gain. Within the capitalist economy,
dancing bodies compete to win positions in prestigious companies,
while choreographers hustle to secure funding and attract
audiences. On the social dance floor, dancers participate in
dance-offs that often include unspoken, but nevertheless complex,
rules of bodily engagement. And the media attraction to the drama
and spectacle of competition regularly plays out in reality
television shows, film documentaries, and Hollywood cinema. Drawing
upon a diverse collection of dances across history and geography,
The Oxford Handbook of Dance and Competition asks how competition
affects the presentation and experience of dance and, in response,
how dancing bodies negotiate, critique, and resist the aesthetic
and social structures of the competition paradigm.
General
Imprint: |
Oxford UniversityPress
|
Country of origin: |
United States |
Series: |
Oxford Handbooks |
Release date: |
December 2018 |
Editors: |
Sherril Dodds
(Chair / Professor of Dance)
|
Dimensions: |
256 x 182 x 42mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
680 |
ISBN-13: |
978-0-19-063908-2 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Dance >
General
|
LSN: |
0-19-063908-3 |
Barcode: |
9780190639082 |
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