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Cinema of the Dark Side - Atrocity and the Ethics of Film Spectatorship (Paperback)
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Cinema of the Dark Side - Atrocity and the Ethics of Film Spectatorship (Paperback)
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A ground-breaking comparative treatment of cinematic images of
atrocity, combining critical perspectives on contemporary film and
human rights. A few days after 9/11, US Vice-President Dick Cheney
invoked the need for the USA to work 'the dark side' in its global
'War on Terror'. Cinema of the Dark Side explores how contemporary
cinema treats state-sponsored atrocity, evoking multiple landscapes
of state terror. Investigating the ethical potential of cinematic
atrocity images, this book argues that while films help to create
and confirm normative perceptions about atrocities, they can also
disrupt those perceptions and build alternatives. Asserting a
crucial distinction between morality and ethics, a new
conceptualisation of human rights cinema is proposed, one that
repositions human rights morality within an ethical framework that
reflects upon the causes and contexts of violence. It builds upon
theories of embodied spectatorship to offer a new perspective on
the ethics of spectatorship, providing readers with fresh insights
into how we respond to atrocity images and the ethical issues at
stake. Covering a diverse spectrum of 21st century cinema, this
books deals with documentary or fictional representations of
atrocity such as state-sanctioned torture, genocide, enforced
disappearance, deportation, and apartheid. Close analysis of
contemporary films includes Zero Dark Thirty (2012), Standard
Operating Procedure (2008), Hotel Rwanda (2004), Sometimes in April
(2005), Nostalgia for the Light (2010), Chronicle of an Escape
(2006), Children of Men (2006), District 9 (2009), Waltz With
Bashir (2008), and Paradise Now (2005). It is a valuable resource
for advanced students and researchers in Film Studies and Human
Rights alike.
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