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Cinema of the Dark Side - Atrocity and the Ethics of Film Spectatorship (Hardcover)
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Cinema of the Dark Side - Atrocity and the Ethics of Film Spectatorship (Hardcover)
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This is a ground-breaking comparative treatment of cinematic images
of atrocity, combining critical perspectives on contemporary film
and human rights. A few days after 9/11, US Vice-President Dick
Cheney invoked the need for the USA to work 'the dark side' in its
global 'War on Terror'. Cinema of the Dark Side explores how
contemporary cinema treats state-sponsored atrocity, evoking
multiple landscapes of state terror. Investigating the ethical
potential of cinematic atrocity images, this book argues that while
films help to create and confirm normative perceptions about
atrocities, they can also disrupt those perceptions and build
alternatives. Asserting a crucial distinction between morality and
ethics, a new conceptualisation of human rights cinema is proposed,
one that repositions human rights morality within an ethical
framework that reflects upon the causes and contexts of violence.
It builds upon theories of embodied spectatorship to offer a new
perspective on the ethics of spectatorship, providing readers with
fresh insights into how we respond to atrocity images and the
ethical issues at stake. Covering a diverse spectrum of 21st
century cinema, this books deals with documentary or fictional
representations of atrocity such as state-sanctioned torture,
genocide, enforced disappearance, deportation, and apartheid. Close
analysis of contemporary films includes Zero Dark Thirty (2012),
Standard Operating Procedure (2008), Hotel Rwanda (2004), Sometimes
in April (2005), Nostalgia for the Light (2010), Chronicle of an
Escape (2006), Children of Men (2006), District 9 (2009), Waltz
With Bashir (2008), and Paradise Now (2005). It is a valuable
resource for advanced students and researchers in Film Studies and
Human Rights alike.
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