The gap between theory and practice in rehearsal is wide. many
actors and directors apply theories without fully understanding
them, and most accounts of rehearsal techniques fail to put the
methods in context. Systems of Rehearsal is the first systematic
appraisal of the three principal paradigms in which virtually all
theatre work is conducted today - those developed by Stanislavsky,
Brecht and Grotowski. The author compares each system ot the work
of the contemporary director who, says Mitter, is the Great
Imitator of each of them: Peter Brook. The result is the most
comprehensive introduction to modern theatre available.
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