Drawing on first-hand materials collected from the Chinese and
Japanese literature as well as interviews with more than twenty
filmmakers and scholars Kinnia Shuk-ting Yau provides a solid
historical account of the complex interactions between Japanese and
Hong Kong film industries from the 1930s to 1970s.
The author describes in detail how Japan's efforts during the
1930s and 1940s to produce a "Greater East Asian cinema" led to
many different kinds of collaborations between the filmmakers from
China, Hong Kong and Japan, and how such development had laid the
foundation for more exchanges between the cinemas in the post-war
period. The period covered by the book is the least understood
period of the East Asian film history. Filling the gaps surrounding
one of the most important but least understood periods of Asian
film history this books discusses facts and resources once obscured
by controversial issues related to wartime affairs with new
insights and perspectives.
This book is an invaluable source of information for
understanding how the current East Asian film networks came into
existence by looking beyond conventional single-case studies and
adopting a transnational perspective in tracing the connections
between different film industries.
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