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British Colour Cinema - Practices and Theories (Hardcover)
Loot Price: R2,818
Discovery Miles 28 180
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British Colour Cinema - Practices and Theories (Hardcover)
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"British Colour Cinema: Practices and Theories" is one of the
outcomes of a major research project on colour and British cinema.
This project was one of the last opportunities to gain an insight
from surviving practitioners who worked with film colour in one of
the most fascinating periods of its history. Created as a companion
volume to a major history of colour in British Cinema ("Colour
Films in Britain: The Negotiation of Innovation 1900-55," by Sarah
Street), "British Colour Cinema" is based on a series of interviews
with practitioners who worked in the UK with Technicolor and/or
Eastmancolor during the 1930s-50s.
The book charts a significant period of film history, when working
with colour was both difficult and expensive, and frequently
involved experimentation of the highest degree. Adjusting to new
systems required ingenuity and resourcefulness. The practitioners
featured in the book provide a rich resource of experience and
reflection on these challenges. Simon Brown, Sarah Street and Liz
Watkins talk to specialists renowned for their innovative work with
film colour, who provide first-hand accounts of working with major
directors, including Michael Powell and John Huston, and with
celebrated art directors and special effects teams.
Many of the films discussed have acquired special interest in
recent years with the advent of DVD and the restoration of many
colour film classics. In recognition of this development, the
book's final section also features interviews with those involved
in film preservation and restoration, and asks ethical questions
concerning how best to prepare new prints for today's
audiences.
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