This book offers the term "ecophobia" as a way of understanding and
organizing representations of contempt for the natural world. Estok
argues that this vocabulary is both necessary to the developing
area of ecocritical studies and for understandings of the
representations of "Nature" in Shakespeare. Engaging close readings
with theoretical sophistication, this book is a path-breaking
contribution to both Shakespearean scholarship and the burgeoning
field of ecocriticism. Refreshingly, Estok takes readers back to
the radical possibilities ecocriticism began with to give new
insight into a dramatist who had a lot to say about the natural
world.
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