This book offers the term "ecophobia" as a way of understanding and
organizing representations of contempt for the natural world. Estok
argues that this vocabulary is both necessary to the developing
area of ecocritical studies and for understandings of the
representations of "Nature" in Shakespeare. Engaging close readings
with theoretical sophistication make this book a path-breaking
contribution to both Shakespearean scholarship and the burgeoning
field of ecocriticism.
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