Technology revolutionised the ways that music was produced in the
twentieth century. As that century drew to a close and a new
century begins a new revolution in roles is underway. The separate
categories of composer, performer, distributor and listener are
being challenged, while the sounds of the world itself become
available for musical use. All kinds of sounds are now brought into
the remit of composition, enabling the music of others to be
sampled (or plundered), including that of unwitting musicians from
non-western cultures. This sound world may appear contradictory -
stimulating and invigorating as well as exploitative and
destructive. This book addresses some of the issues now posed by
the brave new world of music produced with technology.
General
Imprint: |
Ashgate Publishing Limited
|
Country of origin: |
United Kingdom |
Release date: |
December 2000 |
First published: |
2000 |
Editors: |
Simon Emmerson
|
Dimensions: |
234 x 156mm (L x W) |
Format: |
Hardcover
|
Pages: |
262 |
Edition: |
New Ed |
ISBN-13: |
978-0-7546-0109-8 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
|
LSN: |
0-7546-0109-9 |
Barcode: |
9780754601098 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!