Libby Saxton/Simon Kemp: Introduction--Martin Crowley: 'Que
pourraiton montrer d'autre que ce qu'on voit?': Duras and the
Photography of the Real--Nick Hanlon: Baudrillard's
Aesthetic--Patrick Sheil: Neither Here nor There: Merleau-Ponty on
Vision and Existence--Stamatina Dimakopoulou: On Seeing in
Surrealism: Max Ernst's Objects of Vision--Rakhee Balaram: Eyes
Wide Open, Eyes Wide Shut: Defining the Surrealist Eye--Hannah
Westley: Visions of the Muse in Michel Leiris's L'Age
d'Homme--Alistair Swiffen: Seeing Double/Hearing Things: In(s)anity
in the Aumonymes of Robert Desnos--Claire Boyle: Resisting the
Whole Picture: The Gaze, and Reading Autobiogrpahies by Nathalie
Sarraute and Georges Perec--Sonya Stephens: Baudelaire and Courbet:
The Art of the Unfinished--Ariane Smart: Hugo Visionnaire: Realism
and Symbolism in the Myth of Paris--Blandine Chambost: The
Mesmerizing Muse: Salome seen by Moreau and Mallarme--Jean Khalfa:
Seeing the Present--Emma Wilson: Screening Pleasure: Touch and
Vision in Contemporary Cinema (Krzysztof Kieslowski's Trois
Couleurs: Blanc)--Carol O'Sullivan: Picturing Characters: Zazies a
gogo.
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