Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Poor Tom (Hardcover)
Loot Price: R1,031
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Poor Tom (Hardcover)
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One of the most memorable and affecting Shakespearean characters is
Edgar in "King Lear." He has long been celebrated for his
faithfulness in the face of his father's rejection, and the scene
in which he saves his blinded father from suicide is regarded as
one of the most moving in all of Shakespeare.
In "Poor Tom," Simon Palfrey asks us to rethink all those received
ideas--and thus to experience "King Lear" as never before. He
argues that Edgar is Shakespeare's most radical experiment in
characterization--and also his most exhaustive model of both human
and theatrical possibility. The key to the Edgar-character is that
he spends most of the play disguised, much of it as "Poor Tom of
Bedlam," and his disguises come to uncanny life. The Edgar-role is
always more than one person; it animates multitudes, past and
present and future, and gives life to states of being beyond the
normal reach of the senses--undead, or not-yet, or ghostly, or
possible rather than actual. And because the Edgar-role both
connects and retunes all of the figures and scenes in the play, a
close attention to this particular part can shine stunning new
light on how the whole play works.
The ultimate message of Palfrey's bravura analysis is the same for
readers or actors or audiences as it is for the characters in the
play: see and listen feelingly; pay attention, especially when it
seems as though there is nothing there.
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