If praise from one's peers is an indicator of success, then the
fulsome jacket blurbs from no less than Salman Rushdie and Don
DeLillo for Hustvedt's previous two books should give the casual
reader a clue that here is no ordinary novel. DeLillo is, in fact,
the writer who springs to mind when one tries to find a reference
point for Hustvedt's elegant and lightly nuanced analysis of the
human condition, and her characters, academics and artists engaged
in unravelling the mysteries of the psyche, could have walked
straight off the pages of, say, White Noise. This is not to imply
that Hustvedt has been unduly influenced by other writers; her
voice is very much her own, and her characters are certainly not
drawn from anywhere but her own imagination. Leo, the narrator, is
a New York art critic whose admiration for the paintings of one
Bill Weschler turns into a lifelong friendship with the artist and
his family. We first encounter Leo in early middle age, newly
married to Erica. Bill and his wife Lucille first become
neighbours, and the four are soon bound together by the birth of
sons to both couples, Matthew and Mark. First, Bill's marriage to
Lucille crumbles, then Leo's and Erica's marriage comes under the
most dreadful strain imaginable when their son, Matthew, dies in an
accident at summer camp. Leo becomes something of a father figure
to Bill's son, Mark, but by the time Mark becomes a teenager on the
cusp of adulthood, it is clear that all is not well. Bill's muse
and lover, Violet, does what she can for Mark, but after Bill's
death from natural causes, it is left to Leo to try and uncover the
truth about Mark's sinister night-time activities and about his
relationship with a controversial young artist who has been accused
of sensationalism and, worse, murder. Violet's academic work on
eating disorders and the American attitude towards food have
ill-prepared her to accept that Mark is suffering from something
worse than mere teenage angst and drug addiction, and slowly she
and Leo come to accept that the boy may be suffering from some kind
of sociopathy. This is a beautifully written and insightful novel
about the way we live now. (Kirkus UK)
LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 'Defiantly complex and
frequently dazzling' Sunday Times 'Siri Hustvedt's most ambitious,
most rewarding novel. It mesmerises, arouses, disturbs' Salman
Rushdie 'Superb . . . What I Loved is a rare thing, a page turner
written at full intellectual stretch, serious but witty,
large-minded and morally engaged' New York Times Book Review 'A
love story with the grip and suspense of a thriller' Times Literary
Supplement In 1975 art historian Leo Hertzberg discovers an
extraordinary painting by an unknown artist in a New York gallery.
He buys the work, tracks down its creator, Bill Wechsler, and the
two men embark on a life-long friendship. This is the story of
their intense and troubled relationship, of the women in their
lives and their work, of art and hysteria, love and seduction and
their sons - born the same year but whose lives take very different
paths. 'A big, wide, sensuous novel - clever, sinister, yet
attractively real' Guardian PRAISE FOR SIRI HUSTVEDT: 'Hustvedt is
that rare artist, a writer of high intelligence, profound
sensuality and a less easily definable capacity for which the only
word I can find is wisdom' Salman Rushdie 'One of our finest
novelists' Oliver Sacks 'Reading a Hustvedt novel is like consuming
the best of David Lynch' Financial Times 'Few contemporary writers
are as satisfying and stimulating to read as Siri Hustvedt'
Washington Post 'A 21st-century Virginia Woolf' Literary Review
General
Imprint: |
Sceptre
|
Country of origin: |
United Kingdom |
Release date: |
August 2003 |
Authors: |
Siri Hustvedt
|
Dimensions: |
196 x 129 x 25mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
371 |
Edition: |
New Ed |
ISBN-13: |
978-0-340-68238-8 |
Categories: |
Books
|
LSN: |
0-340-68238-8 |
Barcode: |
9780340682388 |
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Wed, 30 Sep 2020 | Review
by: Mokgadi M.
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