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The Parallax View (Paperback)
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The Parallax View (Paperback)
Series: Short Circuits
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In Zizek's long-awaited magnum opus, he theorizes the "parallax
gap" in the ontological, the scientific, and the political-and
rehabilitates dialectical materialism. The Parallax View is Slavoj
Zizek's most substantial theoretical work to appear in many years;
Zizek himself describes it as his magnum opus. Parallax can be
defined as the apparent displacement of an object, caused by a
change in observational position. Zizek is interested in the
"parallax gap" separating two points between which no synthesis or
mediation is possible, linked by an "impossible short circuit" of
levels that can never meet. From this consideration of parallax,
Zizek begins a rehabilitation of dialectical materialism. Modes of
parallax can be seen in different domains of today's theory, from
the wave-particle duality in quantum physics to the parallax of the
unconscious in Freudian psychoanalysis between interpretations of
the formation of the unconscious and theories of drives. In The
Parallax View, Zizek, with his usual astonishing erudition, focuses
on three main modes of parallax: the ontological difference, the
ultimate parallax that conditions our very access to reality; the
scientific parallax, the irreducible gap between the phenomenal
experience of reality and its scientific explanation, which reaches
its apogee in today's brain sciences (according to which "nobody is
home" in the skull, just stacks of brain meat-a condition Zizek
calls "the unbearable lightness of being no one"); and the
political parallax, the social antagonism that allows for no common
ground. Between his discussions of these three modes, Zizek offers
interludes that deal with more specific topics-including an ethical
act in a novel by Henry James and anti-anti-Semitism. The Parallax
View not only expands Zizek's Lacanian-Hegelian approach to new
domains (notably cognitive brain sciences) but also provides the
systematic exposition of the conceptual framework that underlies
his entire work. Philosophical and theological analysis, detailed
readings of literature, cinema, and music coexist with lively
anecdotes and obscene jokes.
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