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Spectacular Science, Technology and Superstition in the Age of Shakespeare (Paperback)
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Spectacular Science, Technology and Superstition in the Age of Shakespeare (Paperback)
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Explores the interaction between science, literature and spectacle
in Shakespeare's era To the readers who ask themselves: 'What is
science?', this volume provides an answer from an early modern
perspective, whereby science included such various intellectual
pursuits as history, poetry, occultism and philosophy. By exploring
particular aspects of Shakespearean drama, this collection
illustrates how literature and science were inextricably linked in
the early modern period. In order to bridge the gap between
Renaissance literature and early modern science, the essays
collected here focus on a complex intellectual territory situated
at the point of juncture between humanism, natural magic and
craftsmanship. It is argued that science and literature constantly
interacted, thus revealing that what we now call 'literature' and
what we choose to describe as 'science' were not clear-cut
categories in Shakespeare's days but rather a part of common
intellectual territory. Key Features Analyses different aspects of
Shakespeare's plays through the prism of early modern science Sheds
fresh light on major works such as the Sonnets, Love's Labour's
Lost, Romeo and Juliet, Twelfth Night, King Lear, Hamlet, Othello,
Macbeth, The Tempest, The Winter's Tale Combines theoretical views,
historical approaches, and close readings Offers an innovative
dialectic vision of the Shakespeare/science nexus, taking up
Mazzio's seminal idea that it is now necessary to "move beyond
forms of analysis focused largely on thematic traces of, or indeed
linguistic reflections of, historically specific arenas of
scientific practice" Links science and spectacle and posits that
early modern theatre fashioned the reception of early modern
discoveries Pays attention to systems of thought which bind
together scientific and literary discourses, practices and
mentalities within a single episteme (in Michel Foucault's
interpretation of the word)
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