At the first two presentations of this play in 165 and 160 BC, the
prospect of rival attractions drove the actors prematurely off the
stage, and it was only in September 160 that it was finally
performed in full. For this reason the play has been seen as
spanning virtually the whole of Terence's career, while the fact
that the playwright refused to abandon it to oblivion indicates the
importance which he himself attached to it. Though its plot is
founded upon the conventional theme of marital problems, The Mother
in Law departs radically from the usual treatment of such topics to
become at times more closely akin to tragedy than to comedy. It is
the purpose of this edition to show Terence's skill not only in
terms of plot construction and development but also in character
portrayal and his ability to maintain the suspense of the situation
almost to the last moment.
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