Throughout centuries of European colonial domination, the bodies
of Middle Eastern dancers, male and female, move sumptuously and
seductively across the pages of Western travel journals, evoking
desire and derision, admiration and disdain, allure and revulsion.
This profound ambivalence forms the axis of an investigation into
Middle Eastern dance--an investigation that extends to contemporary
belly dance.
Stavros Stavrou Karayanni, through historical investigation,
theoretical analysis, and personal reflection, explores how Middle
Eastern dance actively engages race, sex, and national identity.
Close readings of colonial travel narratives, an examination of
Oscar Wilde's "Salome," and analyses of treatises about Greek
dance, reveal the intricate ways in which this controversial dance
has been shaped by Eurocentric models that define and control
identity performance.
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