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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
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Crisis in the Arts: the History of Dada, Vol 7 - The Import of Nothing (Hardcover)
Loot Price: R6,883
Discovery Miles 68 830
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Crisis in the Arts: the History of Dada, Vol 7 - The Import of Nothing (Hardcover)
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In examining Dada in the Low Countries, Hubert van den Berg is
faced with a complex situation that as much critiqued as embraced
Dada. Largely an individual affair, and lacking the community
"center" of Dada in Zurich, Berlin and the other Dada "capitals,"
van den Berg focuses equally on Dada's reception and on its
exercise. Primarily a case of selective appropriation, Dada in the
Low Countries nevertheless possessed an international reach,
achieved in the relationships it posed between Dada and the
Post-World War I Constructivist International and De Stijl. For the
author, Dada in Belgium and the Netherlands is less a case of its
"story" than of specific cases of its "use." The involvement of
Clement Pansaers, Paul van Ostaijen, Theo van Doesburg, and German
artist Kurt Schwitters, figure prominently in the historical
mapping of van den Berg's complex and elusive subject.
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