Although much has been written about Benjamin Franklin's
Autobiography, other writers of what Stephen Arch calls
"self-biographies" in post-revolutionary America have received
scant scholarly attention. This rich variety of texts dramatically
shows the complex nature of 19th-century concepts of identity.
Arguing that "autobiography" is a modern invention, Arch shows its
emergence in the older, conservative self-biographies of Alexander
Graydon, Benjamin Rush, and Ethan Allen and in the newer, more
progressive, and even radical self-biographies of K. White,
Elizabeth Fisher, Stephen Burroughs, and John Fitch. Describing the
evolution of a concept as elastic as "the self" is not easy, but
Arch offers a unique and imaginative study of the emergence of a
specifically modern American identity.
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