Irish Australian outlaw Ned Kelly led one of the most
spectacular outbreaks the tradition has ever experienced,
culminating in a siege at Glenrowan on June 28, 1880. Donned in
homemade metal armor and a helmet, he was captured and sentenced to
hang at the Melbourne Gaol in November. Immortalized in a series of
onscreen productions, he has since become one of the most resilient
screen presences in the history of Australian cinema. "The Ned
Kelly Films" recounts the history of this presence, covering the
nine feature films, three miniseries, and two TV movies that have
been made about this controversial character. Providing a
comprehensive overview of these productions and their reception,
Stephen Gaunson illuminates a central irony: From dime novels to
comics to the branding of the site where he was captured, most
cultural representations of Kelly are decidedly lowbrow. But only
the films have been condemned for not offering a more serious
interpretation of this figure and his historical context. Parsing
the assumption that films about Kelly should do more than broadcast
the sentiments of his fans, Gaunson explores why historical films
have a reputation as a form of "bad" culture. Asking what value we
can place on such "bad" historical cinema, he offers new insights
about the textual characteristics of cinematic material and the
conditions of film distribution, circulation, and reception.
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